RBS Tower composite at dusk

IMG_0371 comp2 sm

An image composed of two framings. One for the lower (exterior) portion (two exposures – the first includes pedestrians on left side and far right, the second for the traffic trails). The other is a composite of 7 exposures for the upper floors, showing the people framed by the windows over a 20 minute period, as they pack up at the end of the working day (4.40 – 5pm).

The location is the Royal Bank of Scotland building on Deansgate, Manchester

Paper proposal

Update: Paper accepted

Yesterday I submitted a proposal for a paper on the mediation of Architecture by photography for the Space and Place: Exploring Critical Issues conference at Oxford University in September:

The great architectural swindle: The mediation of architecture via architectural photography.

In 1979 Tom Picton dismissed the contemporary architectural photograph as,

…the craven image, a lifeless piece of flattering deception foisted on an unsuspecting public by an unholy alliance of architect, photographer and art editor’ (Elwall 1991).

Thirty-five years later little has altered: buildings are routinely represented as lifeless, pristine sculptures; forms without functions; structures in isolation from neighbouring buildings and the spaces in between. Architecture is seen through photography, in a stifled form, thereby failing its audience. This paper challenges the convention that architecture should be mediated through photography as empty shells.

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